Probably to this group belong also the following poets:

HEGESIPPUS, the author of eight epigrams in the Palatine Anthology, three dedications and five epitaphs, in a simple and severe style. The reference in the /Garland/ of Meleager, l. 25, to "the maenad grape- cluster of Hegesippus" is so wholly inapplicable to these that we must suppose it to refer to a body of epigrams now lost, unless this be the same Hegesippus with the poet of the New Comedy who flourished at Athens about 300 B.C., and the reference be to him as a comedian rather than an epigrammatist.

PERSES, called "the Theban" in the heading of one epigram, "the Macedonian" in that of another (no difference of style can be traced between them), a poet of the same type as Addaeus, with equal simplicity and good taste, but inferior power. The /Garland/ of Meleager, l. 26, speaks of "the scented reed of Perses." There are nine epigrams of his in the Palatine Anthology, including some beautiful epitaphs.

PHAEDIMUS of Bisanthe in Macedonia, author of an epic called the /Heracleia/ according to Athenaeus. "The yellow iris of Phaedimus" is mentioned in the /Garland/ of Meleager, l. 51. Two of the four epigrams under his name, a beautiful dedication, and a very noble epitaph, are in this selection; the other two, which are in the appendix of epigrams in mixed metres at the end of the Palatine Anthology (Section xiii.) are very inferior and seem to be by another hand.

(2) Under this head is a group of three distinguished poets and critics:

PHILETAS of Cos, a contemporary of Alexander, and tutor to the children of Ptolemy I. He was chiefly distinguished as an elegiac poet. Theocritus (vii. 39) names him along with Asclepiades as his master in style, and Propertius repeatedly couples him in the same way with Callimachus. If one may judge from the few fragments extant, chiefly in Stobaeus, his poetry was simpler and more dignified than that of the Alexandrian school, of which he may be called the founder. He was also one of the earliest commentators on Homer, the celebrated Zenodotus being his pupil.

SIMMIAS of Rhodes, who fl. rather before 300 B.C., and was the author of four books of miscellaneous poems including an epic history of Apollo. "The tall wild-pear of Simmias" is in the /Garland/ of Meleager, l. 30. Two of the seven epigrams under his name in the Palatine Anthology are headed "Simmias of Thebes." This would be the disciple of Socrates, best known as one of the interlocutors in the /Phaedo/. But these epigrams are undoubtedly of the Alexandrian type, and quite in the same style as the rest; and the title is probably a mistake. Simmias is also the reputed author of several of the {griphoi} or pattern-poems at the end of the Palatine MS.

ASCLEPIADES, son of Sicelides of Samos, who flourished B.C. 290, one of the most brilliant authors of the period. Theocritus (l.c. supra) couples him with Philetas as a model of excellence in poetry. This passage fixes his date towards the end of the reign of Ptolemy I., to whose wife Berenice and daughter Cleopatra there are references in his epigrams. There are forty-three epigrams of his in the Anthology; nearly all of them amatory, with much wider range and finer feeling that most of the erotic epigrams, and all with the firm clear touch of the best period. There are also one or two fine epitaphs. The reference in the /Garland/ of Meleager, l. 46, to "the wind-flower of the son of Sicelides" is another of Meleager's exquisite criticisms.

(3) LEONIDAS OF TARENTUM is the reputed author of one hundred and eleven epigrams in the Anthology, chiefly dedicatory and sepulchural. In the case of some of these, however, there is confusion between him and his namesake, Leonidas of Alexandria, the author of about forty epigrams in the Anthology who flourished in the reign of Nero. In two epigrams Leonidas speaks of himself as a poor man, and in another, an epitaph written for himself, says that he led a wandering life and died far from his native Tarentum. His date is most nearly fixed by the inscription (/Anth. Pal./ vi. 130, attributed to him on the authority of Planudes) for a dedication by Pyrrhus of Epirus after a victory over Antigonus and his Gaulish mercenaries, probably that recorded under B.C. 274. Tarentum, with the other cities of Magna Graecia, was about this time in the last straits of the struggle against the Italian confederacy; this or private reasons may account for the tone of melancholy in the poetry of Leonidas. He invented a particular style of dedicatory epigram, in which the implements of some trade or profession are enumerated in ingenious circumlocutions; these have been singled out for special praise by Sainte-Beuve, but will hardly be interesting to many readers. The /Garland/ of Meleager, l. 15, mentions "the rich ivy-clusters of Leonidas," and the phrase well describes the diffuseness and slight want of firmness and colour in his otherwise graceful style.

NOSSIS of Locri, in Magna Graecia, is the contemporary of Leonidas; her date being approximately fixed by an epitaph on Rhinthon of Syracuse, who flourished 300 B.C. We know a good many details about her from her eleven epigrams in the Anthology, some of which are only inferior to those of Anyte. The /Garland/ of Meleager, l. 10, speaks of "the scented fair-flowering iris of Nissus, on whose tablets Love himself melted the wax"; and, like Anyte, she is mentioned, with the characteristic epithet "woman-tongued," by Antipater of Thessalonica in his list of poetesses. She herself claims (/Anth. Pal./ vii. 718) to be a rival of Sappho.

THEOCRITUS of Syracuse lived for some time at Alexandria under Ptolemy II., about 280 B.C., and afterwards at Syracuse under Hiero II. From some allusions to the latter in the Idyls, it seems that he lived into the first Punic war, which broke out B.C. 264. Twenty-nine epigrams are ascribed to him on some authority or other in the Anthology; of these Ahrens allows only nine as genuine.

NICIAS of Miletus, physician, scholar, and poet, was the contemporary and close friend of Theocritus. Idyl xi. is addressed to him, and the scholiast says he wrote an idyl in reply to it; idyl xxii was sent with the gift of an ivory spindle to his wife, Theugenis; and one of Theocritus' epigrams (/Anth. Pal./ vi. 337) was written for him as a dedication. There are eight epigrams of his in the Anthology (/Anth. Pal./ xi. 398 is wrongly attributed to him, and should be referred to Nicarchus), chiefly dedications and inscriptions for rural places in the idyllic manner. "The green mint of Nicias" is mentioned, probably with an allusion to his profession, in the /Garland/ of Meleager, l. 19.

CALLIMACHUS of Alexandria, the most celebrated and the most wide in his influence of Alexandrian scholars and poets, was descended from the noble family of the Battiadae of Cyrene. He studied at Alexandria, and was appointed principal keeper of the Alexandrian library by Ptolemy II., about the year 260 B.C. This position he held till his death, about B.C. 240. He was a prolific author in both prose and verse. Sixty-three epigrams of his are preserved in the Palatine Anthology, and two more by Strabo and Athenaeus; five others in the Anthology are ascribed to him on more or less doubtful authority. He brought to the epigram the utmost finish of which it is capable. Many of his epigrams are spoiled by over-elaboration and affected daintiness of style; but when he writes simply his execution is incomparable. The /Garland/ of Meleager, l. 21, speaks of "the sweet myrtle-berry of Callimachus, ever full of acid honey"; and there is in all his work a pungent flavour which is sometimes bitter and sometimes exquisite.

POSIDIPPUS, the author of twenty-five extant epigrams, of which twenty are in the Anthology, is more than once referred to as "the epigrammatist," and so is probably a different person from the comedian, the last distinguished name of the New Comedy, who began to exhibit after the death of Menander in B.C. 291. He probably lived somewhat later; the /Garland/ of Meleager, l. 45, couples "the wild corn-flowers of Posidippus and Hedylus," and Hedylus was the contemporary of Callimachus. One of his epigrams refers to the Stoic Cleanthes, who became head of the school B.C. 263 and died about B.C. 220, as though already an old master.

With Posidippus may be placed METRODORUS, the author of an epigram in reply to one by Posidippus (xii. 39, 40 in this selection). Whether this be contemporary or not, it can hardly be by the same Metrodorus as the forty arithmetical problems which are given in an appendix to the Palatine Anthology (Section xiv.), or the epigram on a Byzantine lawyer, /Anth. Pal./ ix. 712. These may be all by a geometrician of the name who is mentioned as having lived in the age of Constantine.

MOERO or MYRO of Byzantium, daughter of the tragedian Homerus, flourished towards the end of the reign of Ptolemy II., about 250 B.C. She wrote epic and lyric poetry as well as epigrams; a fragment of her epic called /Mnemosyne/ is preserved in Athenaeus. Antipater of Thessalonica mentions her in his list of famous poetesses. Of the "many martagon-lilies of Moero" in the Anthology of Meleager (/Garland/, l. 5) only two are extant, both dedications.

NICAENETUS of Samos flourished about the same time. There are four epigrams of his in the Anthology, and another is quoted by Athenaeus, who, in connexion with a Samian custom, adduces him as "a poet of the country." He also wrote epic poems. The /Garland/ of Meleager, l. 29, speaks of "the myrrh-twigs of Nicaenetus."

EUPHORION of Chalcis in Euboea, grammarian and poet, was born B.C. 274, and in later life was chief librarian at the court of Antiochus the Great, who reigned B.C. 224-187. His most famous work was his five books of {KHiliades}, translated into Latin by C. Cornelius Gallus (Virgil, /Ecl./ vi. 64-73) and of immense reputation. His influence on Latin poetry provoked the well-known sneer of Cicero (/Tusc./ iii. 19) at the /cantores Euphorionis/; cf. also Cic. /de Div./ ii. 64, and Suetonius, /Tiberius/, c. 70. Only two epigrams of his are extant in the Palatine Anthology. The /Garland/ of Meleager, l. 23, speaks of "the rose-campion of Euphorion."

RHIANUS of Crete flourished about 200 B.C., and was chiefly celebrated as an epic poet. Besides mythological epics, he wrote metrical histories of Thessaly, Elis, Achaea, and Messene; Pausinias quotes verses from the last of these, /Messen./ i. 6, xvii. 11. Seutonius, /Tiberius/, c. 70, mentions him along with Euphorion as having been greatly admired by Tiberius. There are nine epigrams by him, erotic and dedicatory, in the Palatine Anthology, and another is quoted by Athenaeus. The /Garland/ of Meleager, l. 11, couples him with the marjoram-blossom.

THEODORIDES of Syracuse, the author of nineteen epigrams in the Anthology, flourished towards the close of the third century B.C., one of his epigrams being an epitaph on Euphorion. He also wrote lyric poetry; Athenaeus mentions a dithyrambic poem of his called the /Centaurs/, and a /Hymn to Love/. The /Garland/ of Meleager, l. 53, speaks of "the fresh-blooming festal wild-thyme of Theodorides."

A little earlier in date is MNASALCAS of Plataeae, near Sicyon, on whom Theodorides wrote an epitaph (/Anth. Pal./ xiii. 21), which speaks of him as imitating Simonides, and criticises his style as turgid. This criticism is not born out by his eighteen extant epigrams